Continuing
right along from the previous blog, let me bring up three more pictures (I
cheated the last time and included four) from my “Alien Landscapes” file. All images on Earth, of course, but, hey,
they do inspire a sense of the otherly.
This first
particular photograph was done with a telephoto lens, and luckily the sun was bright
enough that a tripod wasn’t needed (which I didn’t have with me anyhow). I saw the vista from a car window in Badlands
National Park in South Dakota, and insisted that we pull aside and park on the
road. Then I ran out to photograph as
many shots as I could. (And I must have
gathered attention from other cars passing by for soon a bunch of them were parked
behind us—in a rather dangerous stretch of road. But no one stayed as long as we did.)
Here’s
one from along Interstate-70 in Utah, where it crosses the San Rafael Reef (an
ancient and wide structure of exposed sedimentary strata). I love photographs of such hidden areas that
seem to open up into vast underground chambers, holes that suggest caves that suggest
whole buried cities, hidden depths in the cavities of the earth. I believe the rock formation is Navajo
sandstone, which has that lovely pale ocher tint and which weathers into such
smooth and mysterious hollows.
(Unfortunately, these rocks were at a rest-stop and not contained in a
national park, so vandalism—in the shape of graffiti and carved initials in the
stone—had defaced a number of the most attractive sections.)
I
mentioned in the last post the spectacular Canyon of Yellowstone National
Park. And it is spectacular, though its most alien characteristic is not its
waterfall or black-green river at the bottom of the canyon, but the
unbelievable colors in its steep walls.
The rock is rhyolite, a volcanic mineral that is generally—in this case—yellow-white
(which provided the name of the park).
But in the cavern walls so many other minerals intrude, and the rhyolite
has been changed by both heat from volcanism and weathering effects, that the
colors become more varied—in the stunned words of Rudyard Kipling when he
visited the park in 1889: “crimson,
emerald, cobalt, ocher, amber, honey splashed with port-wine, snow-white,
vermilion, lemon, and silver-grey, in wide washes.” I’d need more pictures to get in all those colors but here’s a good
start.
And last
(I’ll cheat again and add an extra), here’s a place that really surprised
me. I knew of Delicate Arch in Arches National
Park. We had walked to it along a
demanding uphill trail that was very popular.
But I also knew of another easier trail that led to a view of it from a
different and distant perspective. Since
we didn’t want to walk the big trail again we decided on the easier one, and
frankly didn’t expect much from the view.
But when we got to the end of the trail, we found an overlook that was
sublime. We could see
Delicate Arch along the ridge about a mile away, but I didn’t know of the
incredible canyon we would find lying between us, nor the vast rock formation that rose in
the middle of it, nor the precarious cliff that we now stood upon, feeling like
birds looking across immensity. We were
poised on the edge, all right--precarious, vertiginous. But we loved every moment of it. (Take away the greenery and the blue sky and there have to be places like this on Mars.)
(Don't forget the book signing at Seton Hill on June 27. See the link for details. You'll come away with a lot of great books but you'll also get to see more of these "alien landscapes.")
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